Like French, English, and Russian Romantics since the beginning of the century, he made a journey to Germany, where he became acquainted with A. W. Schlegel (with whom he maintained an important correspondence over the course of many years), Goethe, Hegel, Schleiermacher, and Schelling. ... In the spirit of earlier wars between “romantics” and “classics” (a little outmoded by the 1850s), Pictet envisioned Romanticism, with its embrace of pluralism and freedom of invention, as standing in sharp opposition to Classicism, the embodiment of systemic compactness and uniformity.〔Gasparov, ''Beyond Pure Reason'', pp. 18-19.〕